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And with that, the knowledge to keep the rape attempted and get more creative in his misogynistic violence. But unlike the men who popularized the genre in the 70s, Sam Levinson has a Twitter account. What follows is an ultraviolent, hypersexualized, classic male-written/male-directed rape/revenge film. It begins with the first of many American flags and a trigger warning montage that suggests a minimal understanding of the definition of trigger warning. Nothing says we’ve learned from our sexual assault scandal like prominently displaying work from film history’s second most famous pedophile filmmaker.īut the anger I felt in the lobby was nothing compared to what I’d feel in the theatre.Īssassination Nation is a film in love with its own importance. Right in the middle of their retro video rental stand was Woody Allen’s 1971 comedy Bananas. I was immediately disappointed upon entering their lobby. A new chapter of New York City movie-going, a new chapter for representation on-screen.
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It made sense to go there for the first time to see a movie co-starring a trans woman. It had never really been a boycott anyway, just a casual avoidance. Then a year passed, and the show time was convenient. Their decision to rehire Devin Faraci after he’d been accused of sexual assault told me that their safe haven for cinephiles was not a safe haven for cinephiles like me. With several other theatres closing down, the opening of an Alamo Drafthouse in Brooklyn felt like a promise that the theatrical experience was not fading from New York.Īnd yet I’d been avoiding the theatre. Founded in Austin, this chain of movie theatres is known as a safe haven for cinephiles. I knew about the Alamo Drafthouse for years.
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The first time I went to the Alamo Drafthouse was to see Sam Levinson’s Assassination Nation.
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We already know that Nate is full of anger and some serious self-loathing tied into his sexuality somehow, which is only confirmed by his violent reaction to Jules calling him a gay slur. "Don't try to ruin my life, and I won't have to ruin yours." Coming on the heels of their mutual expression of distrust upon first meeting up, that seems like the most significant part of the whole exchange. The key, most likely, is in one particular line Nate says to Jules when they meet face to face. Nate's motivations for all of this are still pretty murky, so we're trying to figure out what, exactly, is going through his mind. In Sunday night's episode, Nate finally revealed himself in person to Jules - and then promptly blackmailed her with the sexy pictures she'd been sending him. Euphoria just gets more tense by the week, and the storyline that constantly has us on the edge of our seat is the messed-up connection between Nate and Jules.